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Seven ways to make your website usable for everyone

By Mara Ellison·Marketing·12 min·July 27, 2025

Group of people collaborating around a laptop

One in six people lives with a disability that affects how they use the web — and every one of your visitors is temporarily disabled the moment they step into bright sunlight with a cracked phone screen.

Designing for the edges is designing for everyone. These seven moves cost little, change much, and happen to lift conversion while they are at it.

Contrast is the cheapest win

Light grey body copy on white is the most common sin in modern web design, and the easiest to fix. If your text does not pass a contrast check, it is decoration, not communication.

Darken the grey, thicken the weight, test in sunlight. Readability improvements raise comprehension for every visitor, not just those with low vision.

Structure pages for ears, not just eyes

Screen readers navigate by headings, landmarks and link text. A page with one vague ‘click here’ after another is a maze with the lights off — descriptive headings and honest link labels light it up.

The discipline pays off in search rankings too: machines and assistive technology read the same semantic bones.

Person using a laptop at a desk
Accessible design is just good design with the excuses removed.— Heard at an accessibility audit that changed our studio

Motion, focus and the keyboard

Some visitors navigate entirely by keyboard; others feel ill from parallax and autoplay. Visible focus states, skip links and respect for reduced-motion settings turn a hostile page hospitable.

Test it yourself: unplug the mouse for an hour and use your own site. Whatever frustrates you has been frustrating thousands of people silently.

Usability work is invisible when it succeeds — nobody writes to thank you for a logical tab order. They simply stay, read and buy.

Ship the quiet fixes. The visitors who needed them will feel the difference even if they never know your name.

Portrait of Mara Ellison at her desk

Mara Ellison

Designer and writer, editing Marrowfield Journal from a small studio in Bath. More about me

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